Who we are
Malcolm was born on November 15th, 1969 and from that day forward we were brothers. We've worked on creative projects together all our lives, so we make a dependable team. After all, if you can still work together after forty five years you must be doing something right.
Director / Editor
Tom has directed and edited for clients both huge and minuscule over the past twenty years becoming a regular at many London based production companies or working from the Hadley Brothers Studio located in London's fashionable Stoke Newington.
Increasingly Tom's work has involved the creation of content for live music productions and his skills as an animator and creator of motion graphics content are growing by the day.
Amnesty International, NHS, Royal National Theatre, VSO, Dept. of Health, BBC 2, BBC4, AFP, Crisis, ENO, Picture Box, Faithless, Snowpatrol, Glyndebourne Opera, Scope, Save the Children, Placebo, Love Football, Foreign and Commonwealth Office, Salvador Jao, Bet 118, World Wildlife Fund, Heart n Soul, Icebreaker, SNO, Historic Royal Palaces, Knifedge, Gramma Film, IHG, Pottermore, Jean-Michel-Jarre
Cameraman / Director of Photography
Since his art school days Malcolm has worked extensively in the film TV and animation industries, becoming one of the few ‘go to’ stop motion commercials and features Cameramen in the UK, shooting on both of Tim Burton’s last two stop motion feature films.
More recently he’s been focusing on live action projects where he’s already creating a stir in the arenas of feature documentary & factual content.
Nexus Productions, Academy Films, Blink, Gorgeous, Th1ng, Passion Pictures, Red Bee Media, Loose Moose, Tandem Films, RSA, MIE, Walt Disney Pictures, Warner Brothers Pictures, Dreamworks, Aardman Animation, Field Trip, Bad Bonobo, Imaginary Forces, Famous Flying Films, Ideal Standard Films and Cosgrove Hall.
Malcolm’s work as a DOP www.malcolmhadley.com
How we work
We don’t have a set rate card because these days we know that we need to be flexible and tailor what we can provide to what you have in the pot. We’ll use what budget you have very creatively and our many years of experience will maximize the quality of the final product.
Being able to both shoot and edit means immediate familiarity with the content, where it is and how it looks, this saves precious time in post-production. We can edit on our Premiere Pro Suite and deliver rough cuts, mixes and graded versions for your approval prior to sign off.
Call us for a quotation or use our contact form to get in touch.